Charles Murray on President Obama's creepy and decidedly Un-American ideas:
“You didn’t build that” is another example of the president’s tone-deafness when it comes to the music of the American culture. The phrase is not taken out of context. It didn’t come after a celebration of the inventiveness and risk taking of individual Americans that has made this country great. The president gave the mildest of acknowledgements to the role of the individual, followed by a paragraph of examples that cast American history as a series of collective accomplishments.
There’s a standard way for Americans to celebrate accomplishment. First, we call an individual onto the stage and say what great things that person has done. Then that person gives a thank-you speech that begins “I couldn’t have done this without…” and a list of people who helped along the way. That’s the way we’ve always done it. Everyone knows we all get help in life (and sometimes just get lucky). But we have always started with the individual and then worked out. It is not part of the American mindset to begin with the collective and admonish individuals for thinking too highly of their contribution.
That brings me back to the creepiness of it all. It is as if a Dutch politician—an intelligent, well-meaning Dutch politician—were somehow running for the American presidency, but bringing with him the Rawlsian, social-democratic ethos that, in the Netherlands, is the natural way to talk about a properly run society. We would listen to him and say to ourselves, “He doesn’t get this country.” That’s the thing about Obama. Time and again, he does things and says things that are un-American. Not evil. Not anti-American. Just un-American.
Come January, when President Obama is hopefully looking for a new line of work, he might find himself more at home among those with whom he shares these sentiments. With his law background and fond affection that much of the “international community” still has for him, the International Criminal Court would seem a good place for the next stage of his career. And it’s conveniently located in The Hague, Netherlands.
